‘Marie Antoinette’ ‘opens the season on October 12
Marie Antoinette likely wasn’t the first to live a life of conspicuous consumption and, obviously, she won’t be last. But it’s a tale worth revisiting.
The University of Rhode Island Theatre Department will
do just that as it opens its 2023-24
season with “Marie Antoinette,” David Adjmi’s contemporary look
at the ill-fated French queen – from her rise as a star of the masses to her
place on the guillotine. The production is also part of the URI Honors
Colloquium’s fall series, “Not Business as Usual: Business for the Common
Good,” as an American tale of celebrity culture and irresponsible spending.
“It’s a fascinating look at the historical period through modern eyes,” said Paula McGlasson, who has returned as chair of the department on an interim basis. “That means Marie is going to look more like Madonna than a French queen. The play’s going to use ’80s costumes, props and trends to show that if your take on Marie was that she was decadent, selfish and narcissistic, that is not something that expired when her head was cut off. It continues.”
“Marie Antoinette,” which will be directed by URI
professor Rachel Walshe, opens Oct. 12 in J
Studio in the Fine Arts Center, 105 Upper College Road. The rest of the season
also promises a mix of light and dark moments, featuring the dark comedy
“Speech and Debate,” along with two opposing bloody tales during the spring
semester – “Macbeth” and the musical “Little Shop of Horrors.”
“The season the department has chosen is one of the best
we have done for a long time,” said David Weber, a student representative on
the committee that selected the season’s plays. “‘Marie Antoinette’ and ‘Speech
and Debate’ are both incredibly well-written contemporary pieces that provide
great acting and design opportunities for students. ‘Macbeth’ and ‘Little Shop
of Horrors’ are both classics with enormously recognizable names that can’t
help but spur excitement among students.”
For the first time in memory, J Studio, URI’s blackbox
theater that seats about 170, will host all four of the season’s mainstage
productions. Because of construction at the Fine Arts Center last season, all
four shows were held in the larger Robert E. Will Theatre. The change this year
is to make sure theater students get experience in both types of venues,
McGlasson says.
Staging the season in the cozier J Studio also influenced
which plays were considered by the department.
“The shows we chose are all suitable and perhaps best
performed in J Studio,” said McGlasson. “The plays this year are all shows that
will thrive in that sort of compact, intimate environment, whether it’s a
musical, Shakespeare or a modern comedy.”
The season’s second play, Stephan Karam’s “Speech and
Debate,” which opens Dec. 7, will take audiences into a
contemporary high school classroom, where three misfit students – a reporter on
the student newspaper, a gay student and an aspiring actress and singer – team
up to expose a teacher who is abusing teenage boys.
“The play is light and dark. You may be laughing watching
scene two and then by scene four, you’re thinking, ‘wow, that’s a really
serious issue to be dealt with,’” said McGlasson. “It speaks to themes that
resonate, especially with student audiences. So it’s extremely popular on
college and university campuses.”
The play, which will be directed by Weber ’24, a physics
and theater major from Sault Ste. Marie, Michigan, is this year’s
student-produced play in which students take on every job from actor to
designer. Weber chose the play after reading through many to find the best fit
for the student production.
“The truth to be found in a contemporary adolescent
experience made the play stand out from all the rest,” he said. “‘Speech and
Debate’ encapsulates the struggle of feeling talked down to constantly and
fighting through problems when you have few people to turn to.”
On Feb. 22, Shakespeare’s
“Macbeth” will take over J Studio to start the spring semester. First performed
around 1606, “the Scottish play” – as called by theater people afraid of a
cursed production if they use the M-word – tells the story of the Scottish
general Macbeth, who is told a prophecy by three witches that he will become
King of Scotland – leading him, with the urging of his wife, to kill his way to
the throne.
Because Shakespearean plays are in the public domain,
production companies are free to shape them as they creatively please. URI last
staged “Macbeth” in 1997, and McGlasson remembers it as a pretty scary version.
“I remember the witches,” she said. “We had a wild set.
It had all these different levels and ramps. There was a lot of sword play. It
was a pretty exciting show.” How it will be staged in February is still to be
determined.
The season closes with the annual musical – “Little Shop
of Horrors,” which combines a horror comedy and a rock musical, with book and
lyrics by Howard Ashman and music by Alan Menken. The award-winning musical,
which has had numerous revivals and was made into a 1986 film starring Rick
Moranis, Steve Martin and Ellen Greene, is about a meek flower shop assistant,
Seymour, who finds a chance for fame and fortune, thanks to a man-eating plant.
“We’ve never done Little Shop. We tried to get it the
year before last and we couldn’t get the rights,” said McGlasson, who will
direct the musical, which opens April 18. “So when we
decided to use J Studio this year, I thought it was perfect for Skid Row,
Little Shop’s main setting.”
McGlasson, who has directed nearly every URI musical
since 1998, returns to direct for the first time since 2019. She will be joined
by musical director Lila Kane, choreographer Dante Sciarra, and associate
director Jimmy Calitri, a professor at Providence College.
“I love the music and the people I’m working with,” she
said. “I have my old team sort of back together. The four of us are friends as
well as colleagues. So I’m looking forward to that kind of stimulation.”
For a full list of show dates and times, go to the
2023-24 season webpage. Tickets for all shows are on sale now – online,
in-person in Room H101 in the Fine Arts Center, or by phone at 401-874-5843.
